100 cameras on straight track next to a tennis match, 50 cameras down and 50 cameras back to follow a tennis serve and return. Cameras are spaced to match the ball's velocity profile. The cameras pan by hydraulic motion control to create a sharp ball and blurred background like a real dolly move.

Three 60 camera freeze effects.  Two shots were composites on green screen, one was shot live.  The karate moves included flying the talent with our hydraulically controlled flying rig. The live shot ramps from 24fps to a freeze in the first ten frames.

1. Paper covered egg shaped simulating 700 television monitors.

The End Productions

  Unique example of various camera paths.

100 cameras on a straight track with a rising curve, and another straight section for driving under.

100 cameras on a circular track in a refrigerated set made of ice.

90 camera set-up.  All cameras fired at the same time to freeze the action of a baseball player mid-air throwing the ball.

MULTICAM used as part of a sophisticated dolly move. 60 cameras leading from a motion picture camera to the car in a sweeping dolly shot. MULTICINECAM - 6 Pan Arri Cameras with Frazier lenses were used in six different set-ups to create a virtual dolly path through the interior of the car.

MULTICINECAM - 30 Synchronized Arri 3 movie cameras in one horizontal set-up and 15 Arri 3's in a vertical set-up that swivels left to right. 

Multicam - 90 cameras fired in slow motion following a stunt man jumping off of a bridge.

90 camera array of girl tossing flowers, boy splashing and birds flying.

100 fps slo mo to freeze and back to 100 fps.  European production of the Hyundai SUV.

120 cameras for two different shots. The first had a large overhang for the car to drive/slide under. The second froze a car driving through a water puddle. It had to separate in the middle so a background plate could be shot in each direction. The cameras were triggered by a photo beam. To be used at the Paris Auto show.